Power and prejudice reigns at Bard on the Beach with The Merchant of Venice in 28th season

Bard on the Beach Shakespeare Festival continues its 28th season with a provocative interpretation of The Merchant of Venice. Playing on the Howard Family Stage from June 22 to September 16, the production shines a spotlight on themes that are particularly relevant in 2017, including religious prejudice and discrimination and the use and abuse of power.

The story is set in the present day to allow for an exploration of the contradictions we live with now, and to expose patriarchal colonialism as a most vicious circle we all share today,” explains Director Nigel Shawn Williams. “As always, the story also shows how our lack of understanding for the ‘other’, and our desire for power and currency, can subvert the most precious things we hold dear: love and family.”

To inspire discussion Bard will hold a public forum on July 10, with an onstage panel that will consider the challenges and opportunities in staging The Merchant of Venice today. The discussion will be moderated by the Globe and Mail’s Western Arts Correspondent, Marsha Lederman.

This adaptation: It’s 2017 in Venice and Bassanio (Charlie Gallant) confides to an older friend, Antonio (Edward Foy), that he is broke. He wants to marry Portia (Olivia Hutt), a wealthy heiress, and hopes to borrow money to properly woo her. Antonio suggests Bassanio approach Shylock (Warren Kimmel), a local moneylender and a Jew, while he (Antonio) will secure the bond. Shylock agrees to a three-month loan, under the condition that if the bond is not repaid on time, Antonio will owe Shylock a pound of his flesh. Meanwhile, at her Belmont home, Portia talks with Nerissa (Luisa Jojic), her chief of staff, about her predicament: she has sworn she will marry the man who succeeds in a high-stakes task ordered by her deceased father. A messenger reports that a suitor from Venice is making his way to Belmont, and Nerissa secretly hopes it is Bassanio. Meanwhile, Shylock’s daughter, Jessica (Carmela Sison), runs away from home with her father’s jewels and money to elope with Lorenzo (Chirag Naik), a Gentile and a man she knows her father would reject.  After failed attempts by two princes, Bassanio arrives with his friend, Gratiano (Kamyar Pazandeh), at Portia’s home and successfully completes the task, thus winning her hand. They soon fall in love and marry. Gratiano and Nerissa also fall in love with each other and get married. Portia and Nerissa give their husbands rings as bonds of their love; the men vow never to give the rings away. Suddenly Lorenzo, Jessica and their friend, Saleria (Adele Noronha), arrive in Belmont with news that Antonio has defaulted on Shylock’s bond. Bassanio and Gratiano immediately set out for Venice with money from Portia to pay back the loan. At the courthouse in Venice, Portia and Nerissa enter the courtroom disguised as Balthazar, a young lawyer, and his clerk. As Balthazar, Portia uncovers loopholes in Shylock’s case and proves he has no legal standing to claim his penalty. Prejudice, the stranglehold of patriarchy, and the impact of one’s choices come face to face, as this story concludes; truths are revealed and all must face the consequences of their actions.                                                                   
Kate Besworth
, Andrew Cownden, Paul Moniz de Sá and Nadeem Phillip round out the cast in this modern-day morality tale.

 Scenic Designer Marshall McMahen has designed an unadorned set, with monolithic stone towers that evoke a heartless world, driven by money. Taking his cue from current Italian fashion magazines, Costume Designer Drew Facey has created a collection of pared-down, expensive looks that reflect the characters’ preoccupation with wealth and prestige. Sound Designer Patrick Pennefather’s score features two contrasting sound environments that mirror the play’s main locations, Venice and Belmont. To reinforce the themes evoked by the story, Projection Designer Conor Moore will surround the Howard Family Stage with related visuals. Fight Director Joshua Reynolds oversees the fight direction, with lighting design by Adrian Muir.

Tickets for Bard on the Beach’s 28th season are now on sale. Ticket prices for all 2017 regular performances begin at $21. Early booking is recommended for best seat selection, as many performances sell out in advance. The full performance schedule, site information and play and special events details are on the Bard website at bardonthebeach.org. To book tickets, order online through the Bard website or call the Bard Box Office at 604-739-0559 or (toll free) 1-877-739-0559.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s