Tickets for Bard on the Beach’s 2017 season are now available!

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Vancouver’s Bard on the Beach Shakespeare Festival begins its 28th season in beautiful Vanier Park on June 1, with an exciting lineup of plays, concerts and special events. All tickets for the Bard on the Beach’s 2017 season, which runs from June 1 to September 23, are now on sale. Check out the full list of events, below!

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Bard on the Beach announces 2017 lineup

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The 28th Bard season, running from June 1 to September 23, 2017, features four Shakespeare plays plus a short-run contemporary drama; together they will take audiences from ancient Greece to modern-day Venice and Vancouver. Opening the Festival on the BMO Mainstage is a new production of an audience favourite, Much Ado About Nothing, set in 1959 Italy and inspired by the era’s extravagantly entertaining Italian films, with John Murphy (Measure For Measure, 2013) directing. Alternating with Much Ado is The Winter’s Tale, a magical and poignant family drama, set in ancient Greece and Bohemia and directed by Bard’s Associate Artistic Director Dean Paul Gibson (A Midsummer Night’s Dream, 2014).

On the Howard Family Stage, award-winning Canadian actor-director Nigel Shawn Williams will direct a provocative new staging of The Merchant of Venice, set in contemporary Italy; it will alternate with a new production of Shakespeare’s romantic comedy The Two Gentlemen of Verona, directed by Bard Artistic Associate Scott Bellis (The Comedy of Errors, 2015). Rounding out the 2017 lineup is a short-run production in September to complement The Merchant of Venice. Shylock is a single-hander written by BC’s Mark Leiren-Young and first produced at Bard in 1996. It imagines a modern-day actor playing Shylock, who wrestles with the timely issues of censorship and political correctness.

Updates on Bard on the Beach’s 2017 Festival will be posted regularly at bardonthebeach.org. Advance sales of 2017 Season Packs begin on Monday, Sept 26, 2016, offering a substantial discount on voucher packs for either four or five productions. Single tickets go on sale in April, 2017 through the Bard website or through Bard’s Box Office at 604-739-0559.

Bard on the Beach begins their 27th season on June 3rd

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Vancouver’s Bard on the Beach Shakespeare Festival begins its 27th season in Vanier Park on June 3, with an exciting lineup of plays, concerts and special events. All tickets for Bard on the Beach are currently on sale for the 2016 season, which runs from June 3 to September 24.

The Festival’s summer-long celebration of Shakespeare starts with ROMEO AND JULIET on the BMO Mainstage, with Kim Collier (Hamlet, 2013) returning to Bard to direct this timeless romantic tragedy. It alternates with Bard’s Jessie Award-winning 2012 production of THE MERRY WIVES OF WINDSOR. This huge audience favourite is full of high-spirited comedy and live performances of classic 60s popular music. Johnna Wright is back to direct, this time on the BMO Mainstage, along with many of the original actors.

On the Howard Family Stage, in the Douglas Campbell Theatre, two of Bard’s best-known and award-winning actors make their Bard directorial debuts. Bob Frazer directs the tragedy OTHELLO, setting the play’s jealousy and manipulation amidst the racism and violence of the American Civil War. Lois Anderson directs a mythical and exotic setting of PERICLESShakespeare’s adventurous tale of a hero’s quest to find love, family and the meaning of life.

Special Events for the 2016 Season:

  • Bard-B-Q & FireworksSaturday, July 23Wednesday July 27 & Saturday, July 30 @ 5pm – includes play, dinner, on-site entertainment including a world-champion pipe band, and exclusive fireworks viewing. Tickets from $95
  • Chor Leoni: Mane Stage: Mondays, June 20 & 27 @ 2pm & 7:30pm
  • Wine Wednesdays: July 13, August 10 & September 7 @ 6pm. $21 (must purchase play ticket for same evening).
  • Vancouver Symphony Orchestra at Bard: Mondays, July 11 & 18 @ 7:30pm
  • Opera & Arias: The Magic Flute: A costumed concert staging; Mondays, August 29 & September 5 @ 2pm & 7:30pm
  • Exploring Shakespeare Talks: Delve deeper into each play’s story and background with Simon Fraser University’s Paul Budra. Saturdays, June 11 and 25July 16 and August 13 @ 11am
  • Salon SeriesNew this season, behind-the-scenes panel discussions. July 18August 29 and September 5 @ 7pm
  • Talkback Tuesdays: free post-show discussions following Tuesday performances in both theatres. July 5 – August 30
  • Family Nights: Lively pre-show activities, family package pricing available: July 6, August 3 and August 31 @ 6pm

Tickets for Bard on the Beach’s 27th season are on sale starting April 6. Ticket prices for 2016 include all applicable fees and taxes and begin at $20. Early booking is recommended for best seat selection; note many performances sell out in advance. The full performance schedule, site information and play and special events details are on the Bard website at bardonthebeach.org. To book tickets, order online through the Bard website or call the Bard Box Office at 604-739-0559 or (toll free) 1-877-739-0559.

Bard on the Beach Announces 2016 Season

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Bard on the Beach Shakespeare Festival has announced a 2016 season that will showcase the genius and popular appeal of the great English playwright, in a year of world-wide celebrations marking the 400thanniversary of Shakespeare’s death. The 27th Bard season, sponsored by Goldcorp and running from June 3 toSeptember 24, 2016, will bring two proven audience favourites to the BMO Mainstage. Opening the Festival isRomeo and Juliet, the timeless story of a pair of young star-crossed lovers whose families are bitterly divided; Bard’s powerful and sensuous new production will be directed by Siminovitch Prize winner and past Bard director Kim Collier (Hamlet, 2013). Alternating with Romeo and Juliet is the Jessie Award-winning production of The Merry Wives of Windsor, back by popular demand after a sold-out 2012 Bard run and re-imagined this season for the larger BMO Mainstage. The music-filled production is set in 1968 Windsor, Ontario and will be directed again by Johnna Wright; its production sponsor is Polygon Homes.

 

On the Howard Family Stage, veteran Bard actor Bob Frazer (Macbeth, 2012) will direct a provocative new staging ofOthello, with its action unfolding during the American Civil War. The production sponsor is Lonetree Cider. Othello will alternate with a new production of Pericles, set in an ancient, mythical pagan kingdom and directed by Lois Anderson, another award-winning veteran of Bard’s acting companies (Kate, The Taming of the Shrew, 2012). Pericles’ production sponsor is BlueShore Financial.

 

“We go into our 27th season while the world is honouring and celebrating Shakespeare, and this set of plays will showcase his genius,” says Artistic Director Christopher Gaze. “We are fortunate to have engaged such an outstanding team of theatre creators who will bring their visions of these great classics to our Vanier Park stages next season, for what I know will be a memorable year for us.”

Bard on the Beach’s 2015 Season: Reviewed

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This was an inventive and fast paced season for Bard on the Beach. With three comical, crafty plays and one major drama they were certainly off to a good start.

My experience of the season began with a steampunk Comedy of Errors. For such a convoluted play, this was the perfect vessel. The constantly moving set, outlandish costumes, and strange performances easily heightened the absurdity. It’s full of slapstick humour and silly moments, with lots of space for the embellishments that director Scott Bellis used so well. Although not one of Shakespeare’s finest works it was a good start to the season, especially for actors Sereana Malani (Adriana) and Ben Elliott (Antipholus of Syracuse). Malani captured my attention every time she was on stage. Elliott, who has proved himself musically in many other Bard plays, was uproariously funny as the confused newcomer.

King Lear was the second main stage production, and it largely fell flat. This is a massive production to put on but the script can be cumbersome to do without losing audience attention, and unfortunately for some it did just that. At the start, Benedict Campbell fell into the problem of overemphasizing every line, but by the second act he seemed passive and afraid of the madness and anger required of him. The sisters (Jennifer Lines, Regan and Colleen Wheeler, Goneril) kept too many of their Tempest mannerisms for this much more serious play, getting laughs in a play that should not provide them. Michael Blake (Edmund) and Nathan Schmidt (Edgar) had some of the most interesting moments, each providing thoroughly nuanced portraits of their characters.

On the Howard Family Stage, Love’s Labour’s Lost took us on a rollicking, musical 1920s adventure that hit the jazz classics and easily express the character’s emotions. Chicago in the Roaring Twenties bring brilliant costumes and the speakeasy vibe that pairs well with Ben Elliot’s musical direction. Josh Epstein (Berowne) stands out as the king’s friend and lover of Rosaline. His voice is beautifully rich and his emotions are immediately evident. The slight audience interaction is both funny and complementary to the 20’s style, as this play is more an adaptation than a direct reproduction of Shakespeare’s creation.

King Lear’s actors took to the Howard Family Stage for C.C. Humphries novel Shakespeare’s Rebel. Set in Elizabethan London around Shakespeare’s Globe Theatre and a potential revolution, John Lawley (Benedict Campbell) must separate himself from his past on the battlefield, help his friend William Shakespeare to write the play Hamlet, and clean himself up to win back his beloved Tess and son Ned. With so many pots and subplots throughout, it was amazing to see this novel put together so masterfully on stage. Although I found Campbell too overwhelming as King Lear, he seemed to find his footing in this production. This is where Jennifer Lines (Tess) and Colleen Wheeler (Queen Elizabeth) shine. Lines is feisty and smart, a clear choice for Lawley to pursue, while Wheeler masters the drama of Elizabeth as I hoped she would have in King Lear. The Bard’s own Christopher Gaze has directed a veritable star for the 2015 season, engaging and funny without overwhelming audiences who are used to Shakespeare’s own writings.

Both of the smaller stage performances were my favourite for the year, drawing my attention back again and again.

Bard and the Beach presents operas, orchestras, and fireworks nights!

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Celebrate summer by attending one of Bard on the Beach’s special events under the tents. In addition to the four productions currently playing on the BMO Mainstage and the Howard Family Stage, Bard is presenting a series of special events, from Bard-B-Q & Fireworks (on Celebration of Light evenings) to Vancouver Symphony Orchestra concerts and more, all in beautiful waterside Vanier Park.

Bard-B-Q & Fireworks

Enjoy a performance of The Comedy of Errors or Shakespeare’s Rebel, followed by dinner and an up-close view of the Celebration of Light fireworks. Each evening includes a delicious wild Pacific salmon barbecue, dessert, a cash bar and entertainment. Tea and coffee will also be served before the fireworks display. Performance dates/times for Bard-B-Q and Fireworks are Saturday July 25, Wednesday July 29 and Saturday August 1 at 5pm (NOTE: new 2015 start time). Tickets from $95 (includes play, dinner and site entertainment).

Vancouver Symphony Orchestra: Live at Bard
Back by popular demand for a second season! The Vancouver Symphony Orchestra and Associate Conductor Gordon Gerrard entertain against the spectacular backdrop of the BMO Mainstage with two evenings, each featuring unique repertoire. On Monday, July 13 at 7:30 pm, the VSO presents a concert of Classical-era masterpieces, including Mozart’s brilliant Symphony No. 40, one of the greatest symphonies ever written. On Monday, July 20 at 7:30 pm, enjoy the beautiful music of the Baroque era, including Bach’s famous Brandenburg Concerto No. 4, a suite from Handel’s Water Music and Mendelssohn’s Symphony No. 4. Tickets from $26.

Opera and Arias: Gilbert & Sullivan!
Delight in the well-loved classics of Gilbert & Sullivan, from The Pirates of Penzance, H.M.S. Pinafore, The Mikado and more. Christopher Gaze hosts this in-concert performance showcasing the gifted young stars of the UBC Opera Ensemble, under the direction of Nancy Hermiston. The performances are enhanced with instrumental accompaniment by members of the Vancouver Opera Orchestra, conducted by Leslie Dala. Opera & Arias is presented on Monday August 24 and Monday August 31, with performances at 2pm and 7:30 pm on each date. Tickets from $26.

Family Night
Your family will love seeing the whimsical world of The Comedy of Errors come to life! Arrive at the Village early on Thursday, August 6 and enjoy food trucks, an exclusive pre-show talk designed just for kids and plenty of special activities for the family. Please call the Bard Box Office to book your tickets; ask about money-saving Family Package pricing.

Wine Wednesdays
Wine Wednesdays are an intimate pre-show wine tasting in the Bard Marquee, presented by special guests. Chat with wine makers and experts as you learn tasting etiquette and sample select wines. On August 12 join Sandhill Winery for a tasting hosted by Howard Soon, Master Winemaker at Sandhill and winner of the 2015 Spirited Industry Professional Award. Tickets are $20 (play ticket sold separately).

Bard Explored

Enhance your Bard experience by taking in one or more of our public talks.

In the Exploring Shakespeare series, Simon Fraser University’s Paul Budra delivers in-depth explorations of each play in his lively and engaging style. Go beyond the story and explore Shakespeare’s inspirations and influences on Mondays throughout the season at 7:30 pm. Tickets are $10 and dates are: July 13 – The Comedy of Errors, July 20King Lear and August 31Love’s Labour’s Lost. The August 10 talk on Shakespeare’s Rebel will be presented by playwright C.C. Humphreys.

Returning for a second season, Discovering Shakespeare provides a comprehensive introduction to this season’s productions on Saturday mornings at 11:30am, prior to a matinee. Bard’s Director of Education Mary Hartman delivers a colourful backgrounder on the story, characters, language and historical context of Love’s Labour’s Lost on August 8. Playwright and Rebel author C.C. Humphreys will present the July 18 lecture on Shakespeare’s Rebel. Tickets are $10.

Shakespeare’s Rebel – World Premiere at Bard on the Beach this Summer!

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Bard on the Beach Shakespeare Festival continues its 26th season with the world stage premiere of Shakespeare’s Rebel by award winning author C.C. Humphreys. The play will run Tuesdays through Sundays from July 2 to September 19 on the Howard Family Stage, in the 270-seat Douglas Campbell Theatre Tent in Vanier Park.

 

It’s 1599, and London is on the brink of revolution. With rebellion in Ireland threatening to open the door to a Spanish invasion, Queen Elizabeth (Colleen Wheeler) has enlisted Robert Devereux (John Murphy), Earl of Essex, to quash the rebels. Essex calls on his most trusted ally, John Lawley (Benedict Campbell) to join him on the campaign, but John has quit the battlefield to join his friends at the Globe Theatre, where his son Ned (Chirag Naik) is following in his father’s footsteps as an actor. All Lawley wants is to win back his beloved Tess (Jennifer Lines) from Sir Samuel D’Esparr (David Marr), bond with his son, and above all be free of Essex. To make this happen, John must dodge both Essex and his adversary for the Queen’s affections, Sir Robert Cecil (Robert Klein), as well as Cecil’s right hand man, Thomas Waller (Ian Butcher). Meanwhile, his oldest friend, Will Shakespeare (Anousha Alamian) is struggling to finish Hamlet, and the Queen has requested a patriotic play given the country’s safety is at stake. Under the direction of Richard Burbage (Michael Blake), young Ned prepares for his roles on stage, while the Queen’s court becomes consumed by power and politics, conspiracy and rebellion. The Queen’s lady in waiting, Sarah (Andrea Rankin), is working with both sides as those around her are caught up in double dealings and are ultimately forced to choose a side (Craig Erickson, Declan O’Reilly, Nathan Schmidt). Will Lawley outrun his demons as he’s propelled into a deadly conspiracy that could destroy him – and England?

 

Marshall McMahen’s innovative stage design takes us from Shakespeare’s Globe Theatre to the wild Irish moors, paired with Christine Reimer’sbeautiful hand-worked period costumes and Adrian Muir’s evocative lighting design. The dynamic onstage battles are led by Fight Director Nicholas Harrison. Through authentic period instruments, Murray Price’s lilting soundscape transports audiences back to Elizabethan England.  Christopher Gaze, Artistic Director of Bard on the Beach, directs this world premiere by noted author C.C. Humphreys. Assisting with the adaptation of the best–selling novel for the stage is Dramaturg Martin Kinch. The Apprentice Director for Shakespeare’s Rebel is Jacquie Loewen.

Performance details for Shakespeare’s Rebel are as follows:
• Previews: July 2, 3, 5, 10, 11; OPENING NIGHT: Sunday July 12 at 7:30pm
• Runs Tuesdays through Sundays, July 2 to September 19, on the Howard Family Stage in the Douglas Campbell Theatre Tent
• Plays in repertory with a musical adaptation of Love’s Labour’s Lost which begins in previews on June 19
• Talkback Tuesdays July 14, 28, August 11, 25, September 1 – Q&A session with members of the Shakespeare’s Rebel cast following the performance.
Shakespeare’s Rebellectures (Bard Explored Series) with C.C. Humphreys: Saturday July 18 at 11:30amMonday August 10 at 7:30pm

Ticket prices for 2015 include all applicable fees and taxes and begin at $26. The Global BC Youth Price is also available. Early booking is recommended for best seat selection; many performances sell out in advance. Full pricing information, the performance schedule and site and event details are on the Bard website at bardonthebeach.org. To book tickets, call the Bard Box Office at 604-739-0559 or (toll free) 1-877-739-0559 or order online through the Bard website.

Bard on the Beach gratefully acknowledges its 2015 Season Sponsor, Goldcorp, and the production sponsor of Shakespeare’s Rebel, Lonetree Cider.

Bard on the Beach Opens the Howard Family Stage with Love’s Labour’s Lost

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Bard on the Beach Shakespeare Festival continues its 26th season with a musical adaptation of Love’s Labour’s Lost. The play will run Tuesdays through Sundays from June 19 to September 20 on the Howard Family Stage, in the 270-seat Douglas Campbell Theatre Tent in Vanier Park.

It’s Chicago in the 1920s and Ferdinand, “The King” (Jay Hindle) controls the illegal liquor and gambling trade on Chicago’s South Side. He has decided to give up all vice (especially women) and turn his popular speakeasy, Navarre, into a scholarly retreat for three years. His two friends, Berowne (Josh Epstein) and Dumain (Daniel Doheny) agree to swear an oath to give up vice as well. The three men amuse themselves by enjoying the antics of Don Armato (Andrew McNee), Ferdinand’s Italian house guest, and Costard (Andrew Cownden), the resident comedian. Don Armato has fallen in love with Jaquenetta (Dawn Petten), a flapper at Navarre, and is distressed when he and his page Moth (Lili Beaudoin) find her alone with Costard. Ferdinand’s scholarly resolve is put to the test when his arch-rival’s daughter, Princess (Lindsey Angell), arrives at Navarre with Rosaline (Luisa Jojic) and Katherine (Sereana Malani), two of her closest friends. Ferdinand, Berowne and Dumain immediately fall in love with the women, but conceal their feelings because of their oath. When Berowne has Costard deliver a love letter to Rosaline, his feelings for her are revealed. It is not long before the three friends concoct a plan to pursue the ladies. Meanwhile, Princess and her friends learn of the men’s intentions and decide to have some fun of their own. Holofernes (Ben Elliott), Boyet (Anna Galvin) and Dull (Jeff Gladstone) also join the cast in this rip-roaring world of speakeasies and jazz. The party is in full swing!

 

Marshall McMahen brings the realm of gangsters and secret jazz halls to life with his scenic design, paired with Rebekka Sɸrensen-Kjelstrup’s rich, detailed costumes and Adrian Muir’s lighting design. The lively period is highlighted through Valerie Easton’s choreography and with fight direction from Nicholas Harrison. Under Ben Elliott’s musical direction, members of the Company perform jazz favourites in a live onstage band. Daryl Cloran, Artistic Director of Western Canada Theatre, makes his directorial debut at Bard this summer with his unique interpretation of the play, with the help of Apprentice Director Melissa Oei.

 

Performance details for Love’s Labour’s Lost are as follows:
• Previews: June 19, 20, 24, 25; OPENING NIGHT: Friday, June 26 at 7:30pm
• Runs Tuesdays through Sundays, June 19 to September 20, on the Howard Family Stage in the Douglas Campbell Tent
• Plays in repertory with Shakespeare’s Rebel which begins previews July 2
Talkback Tuesdays July 7, 21, August 4 & 18 – Q&A session with members of the Love’s Labour’s Lost cast following the performance

 

Ticket prices for 2015 include all applicable fees and taxes and begin at $26. The Global BC Youth Price is also available. Early booking is recommended for best seat selection; many performances sell out in advance. Full pricing information, the performance schedule and site and event details are on the Bard website at bardonthebeach.org. To book tickets, call the Bard Box Office at 604-739-0559 or (toll free) 1-877-739-0559 or order online through the Bard website.